Another poet I'd like to highlight is Brandon Courtney. He has a great mix of an American style with drops of classic feeling in it. His piece "Abstain" is a good example of a very appealing modern style, it has great contrasts. Any modern piece is always going to invite contrast with where it comes from and what came before it. "Abstain" has great personal moments bookended by larger, eternal ones.
Courtney doesn't fall into the typical trap of ill-balanced contrasts. He has some great moments in "Abstain" which I will quote here, from Thrush Poetry's March 2013 issue here:
[...]
a bottle of bourbon in the liquor
cabinet to remind him of what he
can no longer have, no longer
swallow. Between his
comforter――musky sheets――he
keeps the same: sleep, [...]
knuckle s tight as execuioner’s
knots [...]
blood-drop pearls, [...]
crown, its crescent horns to a
spindrift of stars, and showed me
how, like every animal, the moon
lies down sideways to die.
His piece "Public Lashing, Iraq, 2004" in Thrush Poetry's March 2013 issue here has a great ending as well:
[...]
down into the black water of our
bodies, watching from the trellis
of heaven’s bridge. What are you
waiting for? The night is never
dark enough for our bodies to
hide; the night is never dark
enough to sleep.
No comments:
Post a Comment