Thursday, April 24, 2014

Spain


One fun travel read to try is American Washington Irving's [1783-1859] The Alhambra, ie. the medieval palace in Granada. Here's an excerpt from his take on his travels in Spain, it's beautiful--and is a great example of an older work that conveys what culture and cultural attitudes were like in his time. The painting above is by the famous American painter Edwin Lord Weeks, it's his "A Court In The Alhambra: In The Time Of The Moors", you can see more of his work here.
[...]

It is this glorious pile of mountains which gives to Granada that combination of delights so rare in a southern city: the fresh vegetation and temperate airs of a northern climate, with the vivifying ardor of a tropical sun, and the cloudless azure of a southern sky. It is this aerial treasury of snow, which, melting in proportion to the increase of the summer heat, sends down rivulets and streams through every glen and gorge of the Alpuxarras, diffusing emerald verdure and fertility throughout a chain of happy and sequestered valleys.
Those mountains may be well called the glory of Granada. They dominate the whole extent of Andalusia, and may be seen from its most distant parts. The muleteer hails them, as he views their frosty peaks from the sultry level of the plain; and the Spanish mariner on the deck of his bark, far, far off on the bosom of the blue Mediterranean, watches them with a pensive eye, thinks of delightful Granada, and chants, in low voice, some old romance about the Moors.
See to the south at the foot of those mountains a line of arid hills, down which a long train of mules is slowly moving. Here was the closing scene of Moslem domination. From the summit of one of those hills the unfortunate Boabdil cast back his last look upon Granada, and gave vent to the agony of his soul. It is the spot famous in song and story, “The last sigh of the Moor.”
Further this way these arid hills slope down into the luxurious Vega, from which he had just emerged: a blooming wilderness of grove and garden, and teeming orchard, with the Xenil winding through it in silver links, and feeding innumerable rills; which, conducted through ancient Moorish channels, maintain the landscape in perpetual verdure.
[...]

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